Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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Peter Paul Rubens La Chasse au tigre oil painting


La Chasse au tigre
Oil on canvas cjr
Painting ID::  81362
Peter Paul Rubens
La Chasse au tigre
Oil on canvas cjr
   
   
     

Peter Paul Rubens La Chasse au tigre oil painting


La Chasse au tigre
Oil on canvas cjr
Painting ID::  81363
Peter Paul Rubens
La Chasse au tigre
Oil on canvas cjr
   
   
     

Peter Paul Rubens Joanna of Austria oil painting


Joanna of Austria
Oil on canvas Dimensions 247 x 116 cm (97.2 x 45.7 in) cyf
Painting ID::  81765
Peter Paul Rubens
Joanna of Austria
Oil on canvas Dimensions 247 x 116 cm (97.2 x 45.7 in) cyf
   
   
     

Peter Paul Rubens Madonna on Floral Wreath oil painting


Madonna on Floral Wreath
Date English: c. 1619 Medium Oil on panel Dimensions 185 x 210 cm cyf
Painting ID::  81893
Peter Paul Rubens
Madonna on Floral Wreath
Date English: c. 1619 Medium Oil on panel Dimensions 185 x 210 cm cyf
   
   
     

Peter Paul Rubens David Slaying Goliath oil painting


David Slaying Goliath
Date ca. 1616(1616) Medium Oil on canvas Dimensions 122.9 x 99.1 cm (48.4 x 39 in) cjr
Painting ID::  81959
Peter Paul Rubens
David Slaying Goliath
Date ca. 1616(1616) Medium Oil on canvas Dimensions 122.9 x 99.1 cm (48.4 x 39 in) cjr
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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